J.CAC VOLUME 34 (2009)
George Harbour: The First Resident Museum Conservator in Canada
This article explores the early evolution of conservation at the National Gallery of Canada envisioned by director Eric Brown and conservator George Harbour. The article tracks the similarities of their backgrounds and subsequent experiences in the formation of in-house conservation at the Gallery. Harbour’s early training in England is touched upon; his introduction of descriptive written reports and a selection of materials Harbour used during the course of his career are described in tabulated format and briefly explained. The article also cites the early introduction of micro-climate boxes for the protection of wood panel paintings and the recommendation by Brown and Harbour that a university science degree be a prerequisite in employing restorers.
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